Veduta del Arco di Constantino, et del Coliseo ? first and second states10. Veduta del Tempio di Bacco a S.ta Agnesa fuor di Roma8. Veduta del Arco di Septimio Seuero, et del Campidoglio 7.
Veduta di una Parte del Campidoglio ? first and second states 6. Chiesa di Sta Francisca Romana in Campo Vaccine. He died in Paris in 1691.? The present suite comprises:1. His plates amount to upwards of one thousand. He went to Italy twice, where he found many subjects. He was appointed drawing-master to the Dauphin, and was made a member of the Academy. His merit recommended him to Louis XIV., who employed him in designing and engraving views of royal palaces, public festivals, and the places Louis had conquered. He designed, etched, and engraved numerous landscapes and views, decorating them with small figures, minutely drawn, and touched with uncommon spirit. He formed his style on Stefano Della Bella and Jacques Callot, and, in turn, appears to have been imitated, by Sebastian Le Clerc. The final design was 3D printed and hand finished.Edition : First Edition, Bound in recent blue boards Plates approx.170x130mm trimmed and carefully attached to portefolio sheets., Titles in both Italian and French.Israel Sylvestre (or Silvestre) was ?an eminent French engraver and son of Gilles Silvestre?. 3D scans of museum artworks combined with 20th century icons were used as the starting point, painstakingly remodelled in Rhino 3D software. These are dramatically woven together to form a chaotic and dynamic vase construction.Īfter Piranesi I was created using a combination of 21 st century technology and traditional craftsmanship. In the spirit of Piranesi, this piece brings together popular representations of figures and objects from both history and contemporary culture, including: Albert Einstein, Mickey Mouse, Charles Darwin, an astronaut, Aphrodite, the Discobolus of Myron, Cupid, and Nefertiti. It appears that Piranesi (alongside producing detailed architectural etchings) was skilful at ‘restoring’ ancient sculptures and monuments often reconstructing them through the amalgamation of components from different artefacts. I first came across Piranesi when creating the Innovo Vase, an interpretation of the Stowe Vase for Los Angeles County Museum of Art. Also in the collection are references to Giovanni Battista Piranesi, an 18th century Italian artist and sculptor. They feature animated figures of tritons, lions and cupids, all energetically captured in his prints. In addition to the actual artworks there is a fascinating collection of prints and drawings, including some wonderful engravings and drawings of fantastical vases and jugs by Jacques-François-Joseph Saly, a French sculptor who was active in the middle years of the 18 th century. This Victorian enthusiasm is evident throughout Waddesdon, seen in objects such as furniture, fittings, and interior decoration. It is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Middle Eastern and Asian influences. Victorian design is acknowledged as having indulged in an excess of ornamentation. The objects range from the subtle through to the outrageous.
The variety of artworks amassed by Ferdinand de Rothschild is one of the reasons that a tour of the house is so engrossing, there is something for almost everyone. After Piranesi I is one of the artworks created in response to the Waddesdon Manor collection.
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